BIOGRAPHIES
The Golden Age:
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Norma Miller The Queen of Swing |
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Ann
Johnson
Dorothy Johnson Norma Miller Al Minns Frankie Manning Ruthie Rheingold Billy Ricker Willa Mae Ricker Harry Rosenberg Russell Williams MOVIES After Seben Ask Uncle Sol The Big Apple Call Of The Jitterbug Can't Top the LHop Cootie Williams Cottontail Day At The Races Chicago & All That Jazz Frankie Manning Instructional Videos Hellzapoppin' Hot Chocolates Jammin'the Blues Jittering Jitterbugs Killer Diller Malcolm X Manhattan Merry-Go-Round Queen of Swing Radio City Revels The Spirit Moves |
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Films and Documentaries
Books by Norma Miller
Books about Norma Miller
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Photo by Joe Mabel Norma
Miller has been in show business ever since those
sidewalk days. After Whitey's Lindy Hoppers disbanded in
the early forties, she formed her own company in
California, Norma Miller's Dance Company and
had her own show at the legendary Club Alabam in the
Watts section of L.A. In the early fifties she, Billy
Ricker and drummer Michael Silvers worked as the Del
Rio Trio, until the night Sammy Davis Jr. saw the
group and promptly hired away Mike Silvers to be his
drummer. In the later fifties she formed Norma
Millers Jazz Men, which included fellow Lindy
Hopper Billy
Ricker, Frankie Manning's son the tap dancer Chazz
Young, Billy Dotson, Stoney Montenez and Raymond (?).
Norma Miller and her Jazz Men That's Chazz Young in the center As a comedienne, Norma worked in Las Vegas with Redd Foxx for over 10 years, including appearances in his TV show, Sanford and Son where she is remembered as the airline stewardess who offered "Coffee, tea or ME?" In the seventies she formed another Lindy Hop and jazz performance group, the Savoy Swingers. In addition to many standard entertainment venues, this group did a series of performances in the New York City puc school system, introducing African-American dance history to the new generation. A
lifelong close friend of Frankie
Manning, Norma danced with him in Spike Lee's
feature film, Malcolm
X and in Debbie Allen's TV Film Stomping
at the Savoy, which she choreographed with Manning
as her assistant. Together they choreographed the lindy
hop sequence in the Alvin Ailey ballet, Opus McShan. They
were featured in the Ken Burns PBS special Jazz together. |
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